Monday, October 29, 2018

Shooting video with DSLR or Mirrorless cameras




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Hello and welcome to GMax Studios. My
name is Gorky M and today we are going

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to be talking about how to shoot video
on your camera, the best settings for

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this -  including slow motion.

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Video is nothing but an optical illusion.
When a series of images is played back

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to you quickly due to persistence of
vision it seems that the object is

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moving seamlessly  - and this is video!

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The
basic minimum frame rate required to

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create an illusion of seamless movement
is 24 frames a second 24 fps for 24

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images in 1 second.

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So 24 fps is the
standard frame rate at which modern

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motion pictures are shot. Any slower than
this and the image will not appear to

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move seamlessly.

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So if you are after that film look the
24fps setting on your camera is the one

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that you should use to shoot your videos.

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But is 24fps the best frame rate to shoot
at? Well, for me, living in India or for

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anybody living in India, Europe, rest of
the world except the Americas, Japan and

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a few other countries the best frame rate
in my opinion is 25 fps.

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Why 25fps? Well, for one, 25 FPS is very close
to the film rate of 24 fps.

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So much so, that it is practically
impossible to make out the difference.

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Secondly, if you are shooting at 25 fps in
these countries -  you can shoot outdoor

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and indoor without fear because if
you're shooting indoor under domestic

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lights at any other frame rate like
let's say 30fps you might encounter

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banding because the electricity in these
countries is supplied at 50 Hertz.

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Thirdly, the professional television
broadcasting system followed in these

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countries is PAL which is based on the
25 fps frame rate. With lines between

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television and digital blurring, why
would you want to rule out the

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possibility of your content or footage
getting picked up by any major

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broadcaster. Well, if you live in the
Americas, Japan or any other country that

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follows the NTSC system,  the standard
frame rate for you would be 30fps.

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Of course if you're shooting for digital
outdoor you can choose between any frame

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rate whether it is 25, 24 or 30.

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So what is
the best shutter speed to shoot your

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videos at? Well, our eyes are accustomed
to a certain amount of motion blur in

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real life and in order to replicate that
your shutter speed needs to be twice

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that of your frame rate. So, for example,
if you are shooting at 24 fps your

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shutter speed will be 1 by 50th of a
second since the camera does not have an

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option of 1 by 48. Similarly, if you are
shooting at 25 fps your shutter speed

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will still be 1 by 50th of a second.

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If you're shooting at 30fps your shutter
speed will be 1/60th.

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If your shutter speed is more or less
than double the frame rate, the motion

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blur does not seem quite natural.

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Now let's talk about the aperture.

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The cinematic look of video has largely
been associated with a shallow

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depth-of-field and in order to achieve
this you need a lens with a large

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aperture like the 50mm 1.8

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If you don't have such a lens then you
need to open the aperture on your

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existing lens as much as you can.

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Now opening the aperture comes with its
own set of problems especially if you're

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shooting in daylight. First the shutter
speed increases giving the video an

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unnatural look.

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In this case, you have no option but to
use an ND filter on the lens to bring

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down your shutter speed.

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Secondly,
opening the aperture creates a very

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shallow depth of field which makes it
very difficult to focus on moving

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objects. In this case, it might be wise or
prudent to stop down your aperture to

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2.8 4 or 5.6

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Talking about ISO -  the ISO should be kept
as low as possible as we have discussed

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in many of our videos.

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So the big question is, how do you focus
when you are shooting video? Well, the

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short and the long answer to this is
that you manually focus because the

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autofocus system on most of the cameras
except for some top and ones is not

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really good and even if it is good it is
 not really predictable. It is the last

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thing that you want while shooting a
video is that your camera starts hunting

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for focus or focuses on the wrong
subject.

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So if you want absolute creative

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control in terms of focus and timing -
manual focus is the only way to go

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because this is the way it is done in
even the biggest of films and television

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shows. In fact, the top end cine cameras
like Reds and Arris do not have autofocus

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at all.

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Now let's talk about slow-motion slow-mo
or high frame rate. Some cameras give you

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the option of shooting at 50 FPS 60 fps
100 FPS or even more and some people

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believe that shooting at these high
frame rates gives the footage a smoother

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look but I kind of disagree. Even Peter
Jackson shot "Hobbit"  at 48 fps instead of

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24 and the audience quite did not like
it, probably for the same reason that I

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do not like it because it makes the
footage look kind of unreal. But if we

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take the same footage say shot at 50 fps,
lay it down in an editing software and

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play it back at the standard frame rate
of 25 fps, it gives a beautiful

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slow-motion. The higher the frame rate,
the slower the slow-motion will be.

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Remember that shooting high frame rate
your shutter speed still needs to be

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double that of the rate at which you are shooting.

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In some cameras you might have to switch
between NTSC and PAL to access the other

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frame rates.

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Some cameras give you the option of
shooting at 50i, 25p, ALL-l  or IPB. These

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are nothing but the methods to control
the quality and the file size of your

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video. So remember that p is better than
i even though the file size might be

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larger and similarly ALL-I is better
than IPB.

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There is still a lot more to

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talk about as far as shooting video is
concerned like HD, full HD, UHD, 4K,

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bit rates and aspect ratios but we will
leave that for another time. If you have

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made it this far, please do subscribe to
our channel GMax Studios and until the

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next video, bye bye!!!

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